[The 18th in a series of essays, On Climate Truth and Fiction, in which I raise questions about environmental distress, the human experience, and storytelling. It first appeared on 3 Quarks Daily. The previous part is here.]
Early in the story of The Walking Dead—the enormously popular, post-apocalyptic, television series—sharpshooting everyman, Rick Grimes, finds himself cast as leader to a group of beleaguered survivors, who must navigate the malignant chaos of a world suddenly overtaken by zombies. Every comfort, convenience, and civic structure of modern American life has collapsed. The threat of death lurks beyond every hillock or behind any tree. Ordinary people are left to fend for themselves against overwhelming forces, with nothing but guns (and the odd pickaxe or crossbow) for aid. And sentimental attachments to other people only leave individuals more vulnerable to attack. In this world that has slipped the grip of civilization, Grimes works to keep a strain of justice and mercy aloft within his desperate band.
But torn away from the cogency of his ordinary, 21st-century life, and cast into unrelenting danger and uncertainty, even Grimes’s kinder impulses are slowly ground away by his unabating experiences of horror and loss. His moral compass spins erratically. By the fifth season of The Walking Dead, the line separating Grimes from the threats he’s fought for years to hold at bay has worn distressingly thin. In fact, much before this, the show’s storylines and characters have already notably shifted their attention from the horrors of the zombies to the horrors of relying upon one’s fellow dislocated human beings for refuge and assistance in an ongoing crisis. Confronting the atrocities committed by the living profoundly changes Grimes and every member of his crew, as they also become more adept killers. Yet, uncannily, the social world they inhabit together doesn’t change much at all.1 New narratives or mythologies grasping for new understandings of their changed environment, moral quandaries, or identities have not begun to emerge. None among them bothers much about making a reliable living or teaching the children or searching for meaning. Oddly, they remain wholly fixated upon their enemies and armaments. Seemingly lacking in dreams, imaginative hunger, or pragmatic creativity, they don’t begin to re-conceive society in ways that take shape in collaboration with whomever and whatever is left. They remain, throughout, an eternally ragtag cadre of survivalists hoping or despairing for the world only as it was, rather than as they might make it.
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