Shunya's Notes

This Is Not the Zombie Apocalypse

[The 18th in a series of essays, On Climate Truth and Fiction, in which I raise questions about environmental distress, the human experience, and storytelling. It first appeared on 3 Quarks Daily. The previous part is here.]

Early in the story of The Walking Dead—the enormously popular, post-apocalyptic, television series—sharpshooting everyman, Rick Grimes, finds himself cast as leader to a group of beleaguered survivors, who must navigate the malignant chaos of a world suddenly overtaken by zombies. Every comfort, convenience, and civic structure of modern American life has collapsed. The threat of death lurks beyond every hillock or behind any tree. Ordinary people are left to fend for themselves against overwhelming forces, with nothing but guns (and the odd pickaxe or crossbow) for aid. And sentimental attachments to other people only leave individuals more vulnerable to attack. In this world that has slipped the grip of civilization, Grimes works to keep a strain of justice and mercy aloft within his desperate band.

But torn away from the cogency of his ordinary, 21st-century life, and cast into unrelenting danger and uncertainty, even Grimes’s kinder impulses are slowly ground away by his unabating experiences of horror and loss. His moral compass spins erratically. By the fifth season of The Walking Dead, the line separating Grimes from the threats he’s fought for years to hold at bay has worn distressingly thin. In fact, much before this, the show’s storylines and characters have already notably shifted their attention from the horrors of the zombies to the horrors of relying upon one’s fellow dislocated human beings for refuge and assistance in an ongoing crisis. Confronting the atrocities committed by the living profoundly changes Grimes and every member of his crew, as they also become more adept killers. Yet, uncannily, the social world they inhabit together doesn’t change much at all.¹ New narratives or mythologies grasping for new understandings of their changed environment, moral quandaries, or identities have not begun to emerge. None among them bothers much about making a reliable living or teaching the children or searching for meaning. Oddly, they remain wholly fixated upon their enemies and armaments. Seemingly lacking in dreams, imaginative hunger, or pragmatic creativity, they don’t begin to re-conceive society in ways that take shape in collaboration with whomever and whatever is left. They remain, throughout, an eternally ragtag cadre of survivalists hoping or despairing for the world only as it was, rather than as they might make it.

Stories of Collapse

[The 17th in a series of essays, On Climate Truth and Fiction, in which I raise questions about environmental distress, the human experience, and storytelling. It first appeared on 3 Quarks Daily. The previous part is here.]

The peopling of Polynesia was an epic chapter in world exploration. Stirred by adventure and hungry for land, intrepid pioneers sailed for days or weeks beyond their known horizons to discover landscapes and living things never before seen by human eyes. Survival was never easy or assured, yet they managed to find and colonize nearly every spot of land across the entire southern Pacific Ocean. On each island, they forged new societies based on familiar Polynesian models of ranked patrilineages, family bonds and obligations, social care and cohesion, cooperation and duty. Each culture that arose was unique and changeable, as islanders continually adjusted to altered conditions, new information, and shifting political tides. Through trial and hardship, most of these civilizations—even on some of the tiniest islands, like Anuta and Tikopia, discussed in the preceding essay—persisted for centuries or millennia, up to the present day. But others faltered, failing to thrive or even to maintain continuity.

Most Polynesian societies that met the tragic fate of famine and disintegration were on remote islands measuring but a few square miles. But size alone was not the decisive factor. In fact, the most famous case occurred on a substantially larger island of about sixty square miles, called Rapa Nui^1, widely known as Easter Island. Despite its relatively generous size, Rapa Nui suffered certain drawbacks. Owing to its more southerly latitude, outside the tropics, it was cooler, drier, and windier than most Polynesian islands—suboptimal conditions for some of their primary crops. Freshwater sources were also few, relative to the island’s size, and sometimes difficult to access. And the cooler surrounding ocean didn’t support the shallow reefs more common to tropical seas, making the islanders’ survival dependent on deep-sea fishing.

On the other hand, when the migrants first arrived, almost eleven hundred years ago, the pristine island was crowned with a dense forest of enormous trees, including a colossal species of palm found nowhere else on Earth, as well as other edible and useful plants. Small fish and shellfish could be gathered along the coast. In addition to several species of non-migratory birds inhabiting the forestland, seabird rookeries crowded the surfaces of rocky mounts just offshore. And the island’s three dormant volcanoes provided great quarries of stone suitable for making fine tools. The fate of the Rapanui people was in no way preordained.

Stories of Continuity

[The sixteenth in a series of essays, On Climate Truth and Fiction, in which I raise questions about environmental distress, the human experience, and storytelling. It first appeared on 3 Quarks Daily. The previous part is here.]

Was it inevitable, this ongoing anthropogenic, global mass-extinction? Do mass destruction, carelessness, and hubris characterize the only way human societies know how to be in the world? It may seem true today but we know that it wasn’t always so. Early human societies in Africa—and many later ones around the world—lived without destroying their environments for long millennia. We tend to write off the vast period before modern humans left Africa as a time when “nothing much was happening” in the human story. But a great deal was actually happening: people explored, discovered, invented, and made decisions about how to live, what to eat, how to relate to each other; they observed and learned from the intricate and changing life around them. From this they fashioned sense and meaning, creative mythologies, art and humor, social institutions and traditions, tools and systems of knowledge. Yet it’s almost as though, if people aren’t busily depleting or destroying their local environments, we regard them as doing nothing.

Of course, it is a normal dynamic of evolution that one species occasionally will outcompete another and drive it toward extinction. But for most of their time on Earth, human beings were not having an outsized, annihilating effect on the life around them, rather than co-evolving with it. That evolution was at least as much cultural as it was a matter of flesh. What people consumed, how they obtained it, and how quickly they used it up has always played a role in the stability and evolution of any ecosystem of which humans were a part. How fast human populations grew, how they sheltered, what they trampled and destroyed or nourished and promoted—all of this affected their environment. Naturally, their interactions with the environment were always driven by what they wanted. And what people want is intimately driven by what they believe, as in the stories they tell themselves. One thing we can safely presume: those who understood their own social continuity as contingent upon that of their environment weren’t telling the same stories we tell today.

What a Way To Go

[The fifteenth in a series of essays, On Climate Truth and Fiction, in which I raise questions about environmental distress, the human experience, and storytelling. It first appeared on 3 Quarks Daily. The previous part is here.]

I began writing this series eighteen months ago to explore the human experience and human potential in the face of climate change, through the stories we tell. It’s been a remarkable journey for me as I followed trails of questions through new fields of ideas along entirely unexpected paths of enquiry. New vistas revealed themselves, sometimes perilous, always compelling. And so I went. The more I’ve learned, the more I’ve come to realize that our present environmental predicament is actually far worse off—that is to say, more threatening to near-term human wellbeing and civilizational integrity—than most of us recognize. This journey is changing me. So when I now look at contemporary works of fiction about climate change—so-called cli-fi, which I’d hoped might provide fresh insights—so much of it strikes me as somewhat underwhelming before the task: narrow, shallow, tepid, unimaginative, or even dishonest.

At the same time, a few conclusions have begun to coalesce in my mind. Some of these may seem controversial, largely because they run contrary to the common narratives that anchor our dominant understanding of how the world works—our stories of human exceptionalism, technological magic, and the tenets of capitalist faith. Indeed, many of my own assumptions and worldviews have been challenged, altered, or broken. In their stead, new ways of thinking have taken root, as I began seeing through at least some of our most cherished cultural fabrications to understand our quandary with a different perspective.

Learning these things has been emotionally taxing, but I don’t believe there’s any way forward without a clear-eyed, big-picture view of our planetary and civilizational plight. And so, for better or worse, I wish to sum up my thoughts here, before ending my explorations through this series, which I next expect to turn toward thoughts on how one might respond to it all: hope, despair, expectation, fear, carrying on, looking ahead, finding new stories. I trust there are others out there, who would also rather reckon with what’s happening than go on pretending we needn’t adjust our expectations for the future… although, I confess, there are certainly days when I envy those who are able to go on pretending. What follows isn’t for the faint of heart:

Toward a Polyphony of Stories

[The 14th in a series of essays, On Climate Truth and Fiction, in which I raise questions about environmental distress, the human experience, and storytelling. It first appeared on 3 Quarks Daily. The previous part is here.]

Our human story has never been simple or monotonous. In fact, it has been nothing less than epic. Beginning from relatively small populations in Africa, our ancestors traveled across the globe. As they went, they mastered new environments, even while those environments were continuously changing—sometimes in predictable cycles, sometimes unpredictably, as the planet wobbled in its orbit, the sun flared, a volcano blew, or other geophysical events transpired. Born during the ever-fluctuating conditions of the ice age, early humans soon mastered a great variety of adaptive living strategies. They combined cycles of nomadism and settlement. They fished, trapped, followed game herds, ambushed seasonal mass-kills, or even forbade the consumption of particular species at various times and places. They tended forests and grasslands with controlled fire, spread seeds, shifted cultivation, pruned and grafted trees, fallowed lands, and followed seasonal produce, among other techniques, managing their local environments and recognizing that their own wellbeing was intimately tied up with the health of local ecosystems. Through these practices, each community relied upon diets that included hundreds of species of edible plants and animals, from palm piths to pine needles, sea slugs to centipedes, mosses to mongooses—far beyond the foods we ordinarily think of today—and developed material cultures and pharmacopeias that might have included hundreds more. Such flexibility and breadth of environmental understanding promoted resiliency among what grew into a great diversity of peoples over hundreds of millennia, many of whom managed to steadily inhabit a particular region, maintaining an unbroken cultural continuity over hundreds of generations.

Namit Arora interviewed by Scroll

Scroll commissioned my friend and fellow writer, Abdullah Khan, to interview me over email. I enjoyed responding to his excellent questions. Read it here, or read it on Scroll.in where it was first published with the title below.
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‘No one person gets to limit what it means to be Indian’: Namit Arora, author of ‘Indians’

To write his book, Arora travelled to the seats of the different civilisations of India

An interview by Abdullah Khan

An alumnus of IIT, Kharagpur, Namit Arora spent almost two decades in Silicon Valley as an Internet technology professional. In 2013, he quit his job and returned to India and, almost for two years, he volunteered with the Delhi government to find innovative solutions to civic problems; he led the drafting of Delhi’s solar energy policy and a task force on air pollution. In between, he published two books, The Lottery of Birth: On Inherited Social Inequalities, a non-fiction, and Love and Loathing in Silicon Valley, a novel set in Silicon Valley.

Arora’s third book is about Indian civilization, titled Indians: A Brief History of a Civilization. He spoke to Scroll.in about his journey from tech professional to author, his latest book, and how he looks at the idea of Indianness. Excerpts from the interview:
 

Stories of Wealth and Distribution

[The thirteenth in a series of essays, On Climate Truth and Fiction, in which I raise questions about environmental distress, the human experience, and storytelling. It first appeared on 3 Quarks Daily. The previous part is here.]

In the world of Star Trek, no one ever goes hungry or lacks access to healthcare. No one wants for housing, education, social inclusion or any other basic need. In fact, no citizen of the United Federation of Planets is ever seen to pay for everyday goods or services, only for gambling or special entertainments. The Federation suffers no scarcity of any kind. All waste is presumably fed into the replicators and turned into fresh food or new clothes or whatever is needed. Yet despite ample social safety nets, there’s no end to internecine politicking, human foibles and failures, corruption and vanity, charisma and venality. The world of Star Trek appeals so widely, I think, because it presents us with something colorfully short of a utopia, a flawed human attempt toward a just, caring, and individually enabling social order. It imagines a society based on a shared set of human values—fairness, cooperation, political and economic egalitarianism—where basic human needs are equitably answered so that no one has to compete for basic subsistence and wellbeing. As the venerable Captain Picard has put it, “We’ve overcome hunger and greed, and we’re no longer interested in the accumulation of things.” Some Libertarian Trekkies have been scandalized to realize that Star Trek actually depicts a post-capitalist vision of society.

But Star Trek’s world is premised upon the existence of a cheap, concentrated, and non-polluting source of effectively infinite energy. Obviously, no such energy source has ever been discovered (solar-paneled dreamscapes notwithstanding). And the replicator, which eliminates both material waste and scarcity, is a magical technology. The Star Trek vision is also a picture of human chauvinism and hubris, presuming H. Sapiens as the only relevant form of Earthly life. So it falls short of a vivid and plausible imagining of an ecologically sustainable, technologically advanced, and egalitarian human civilization.

It is, of course, too much to expect the creators of Star Trek, by themselves, to fully and flawlessly reimagine our global human society. Indeed, it’s become an aphorism of our age that it’s easier to imagine the end of the world than to imagine the end of capitalism. Yet, though this might sound like a joke, at this point the matter is all too serious, and reimagining human civilization is a project we all must engage with, to whatever extent we’re able.

Namit Arora interviewed at Kalinga Lit Fest

I greatly enjoyed my conversation with Abdullah Khan, friend, fellow writer, and author of the novel Patna Blues (the screen grab below shows the introducer). It was hosted by the Kalinga Literary Festival (1 hr).

Musings on the Anthropocene

[The twelfth in a series of essays, On Climate Truth and Fiction, in which I raise questions about environmental distress, the human experience, and storytelling. It first appeared on 3 Quarks Daily. The previous part is here.]

In the late 1960s and early 70s, Pocatello, Idaho, was one of the fastest growing towns in the United States. It was, and still is, a bland little place in the arid montane region of the American West. I don’t know why it mushroomed then; it has since stagnated and even shrunk. Nevertheless, the summer I turned four, my family was one among many who moved to reside there. Our little red brick house, still unfinished on the day we moved in, was the last house at the end of a newly laid street, still half-empty of houses. Our street stretched like a solitary finger into a kind of wilderness, an austere, high-desert landscape that surrounded our foundling residential colony. From my vantage as a child, preoccupied with the flowers, spiders, and thistles that stuck to my socks, I would see this place transformed.

Little did I know that this landscape was, in fact, already overgrazed and degraded, that some of the plants, which so quickly became familiars—like the Russian Thistle, aka tumbleweed—were actually invasive species. Despite that, it thrived. The undulating hillsides were coarsely matted with hard grasses and sedges, sagebrush, gnarled juniper, all hues of dusty green and wood. Here and there, yellow flares of prickly pear blossoms. Blood red Indian paintbrush splashed across the pale dirt. A sprinkling of white sego lilies.

All the new, single-story homes along our street were encircled by large, grassy yards, where the neighborhood kids played for hours into the lingering, northerly summer sunsets. Next to our house, a dusty trackway wound down the hillside toward a rustic, little ranch below. A brook that passed by the ranch could be made out by the vibrant streak it traced through the pale grasses and shrubs, an incongruous density of ferns and spindly, deciduous trees that grew up from its steep banks. A set of fences out beyond the dirt road sometimes corralled a few horses or cows. Alongside them, a scratch of a trail led further up into the open hills.

Of Gods and Men and Human Destiny

[The eleventh in a series of essays, On Climate Truth and Fiction, in which I raise questions about environmental distress, the human experience, and storytelling. It first appeared on 3 Quarks Daily. The previous part is here.]

In the beginning, the god of the Biblical creation myths makes the Earth and sky. Over the next several days, he makes the sun, moon, and stars, grasses and fruit trees, most of the animals, and rain. Then, scooping up a bit of fresh mud, he molds a being who looks much like himself, a man, and into this homunculus he breathes life. As a dwelling place for this newborn Adam, he plants a lavishly abundant garden, filling it with beautiful and delicious plants. The creator tells Adam, “Of every tree of the garden thou mayest freely eat. But of the tree of the knowledge of good and evil, thou shalt not eat of it, for in the day that thou eatest thereof thou shalt surely die.” Then, realizing that Adam might feel lonely, the deity gives him cattle, fowl, and all the “beasts of the field.” Yet none of these quite seems a suitable companion, so from one of Adam’s ribs, god fashions a woman.

Quite pleased with his handiwork, the divinity instructs his new humans on how to live. He tells them they must increase their population. They must also replenish the Earth, and in doing so, subdue it and exercise dominion over all its living things. The almighty then leaves the newlyweds alone to get on with their business of eating, procreating, replenishing, and dominating, which they apparently take to just fine. Indeed, neither of the pair has any memorable comment on their situation, until the day Serpent piques Eve’s curiosity, telling her that if she and Adam were to eat from the one forbidden tree, rather than die, “your eyes shall be opened, and ye shall be as gods, knowing good and evil.” Now Eve takes new notice of this tree, understanding that it could make her “wise.” Enticed, she picks a fruit and munches it. Whatever she discovers then—new knowledge or wisdom or just fine flavor—is simply too good not to share with her husband and, despite their creator’s clear injunction to him, Adam follows his wife’s lead. Yet soon the hapless couple realize that this new state they find themselves in—their eyes having been opened—is indeed problematic. They seem to have transgressed some cosmic order and find themselves possessed now of a discomfiting self-awareness, of moral judgments and political motives, just like the god who made them—and distinctly unlike the beasts they lived among.

Sex and the City in Medieval India

(This essay first appeared in The Globalist)

What explains the disappearance of erotic sculptures from Hindu temples in India?

Among the most captivating and enigmatic features of medieval Indian art is the explicit erotica on the walls of temples like the UNESCO world heritage complex at Khajuraho. However, modern Indian temples have no trace of it. In fact, most Indians today are so prudish that they feel scandalized by this imagery from their past. So what motivated it back then. And why did it disappear so completely?

Some observers presume the erotic friezes to be the artifacts of a liberal age — the age of the Kamasutra — when Indians had few hang-ups about sex and cavorted with the opposite sex easily. However, the Kamasutra, the best-known of the many secular treatises on ars erotica from mid-first millennium CE, was meant for the urban upper crust who pursued erotic pleasure as an end in itself. It advised them on sexual love, courtship and even adultery. Part epicurean, it stresses the importance of grooming, etiquette, diplomacy and even post-coital conversation. It also advocated love marriages over arranged ones. But as a secular treatise, it can at best explain erotic imagery in pleasure palaces and other private spaces. It fails to explain why it was alright to depict graphic sex and genitalia on temple walls, next to the gods. What explains that?

Namit Arora interviewed by the Asian Review of Books

In which Nicholas Gordon, host of the Asian Review of Books podcast, interviews me about ‘Indians’ (~40 minutes).

"We can sometimes forget that “India”—or the idea of a single unified entity—is not a very old concept. Indian history is complicated and convoluted: different societies, polities and cultures rise and fall, ebb and flow, as the political makeup of South Asia changes. Namit Arora, author of Indians: A Brief History of a Civilization, details some of these changing cultures. From the early Harappans, to the Buddhist centers of Nagarjunakonda and Nalanda, and ending at Varanasi, Arora takes his readers on a journey through South Asia’s rich and diverse history. In this interview, Namit and I talk about the many different cultures featured in his book Indians. We share the stories of some of India’s illustrious foreign visitors, and what it was like for Namit to research these lost histories."

Namit Arora featured on Cyrus Says

I’m the sort who dreads even the thought of appearing on live broadcasts with AMA style audience Qs, but I quite enjoyed my conversation on Indians with Cyrus Broacha, the smart, funny, inimitable host of the podcast Cyrus Says. Do listen! (Apple, Google, Spotify, Adori, etc.)

A Response to Harish Trivedi

(I think unfavorable reviews of books are at least of two kinds: (1) Unfavorable for the right reasons, which can be humbling and provide opportunities for reflection to the author; (2) Unfavorable for the wrong reasons, rooted in the reviewer’s misreading, willful ignorance or prejudices. Given how propagandized popular history has become in the age of Hindutva, I expect many reviews of the second kind, which are usually best disregarded. However, a recent mixed review in Biblio includes critiques of the second kind from Harish Trivedi, a scholar of postcolonialism. It bugged me enough to compel the response below, to also appear in the next issue of Biblio.)

Harish Trivedi  (image source)

As readers, we expect book reviewers to draw out the major arguments in new books. But often, reviewers end up revealing much about themselves, as does Harish Trivedi, a scholar of postcolonialism and translation studies, in his recent review of my book, Indians: A Brief History of a Civilization. Appearing in Biblio (January–March 2021, p. 9), his review reveals troubling intellectual positions and attitudes, manifest in his misreading, falsification and clouding of my arguments. So I feel compelled to respond.

Trivedi complains that ‘Few books which are mainly about pre-Muslim India (for the Great Mughals too are largely absent here) have Hinduism struggling so hard for space and representation as in this one.’ This nearly made me fall out of my chair. How had he failed to notice that besides a chapter on the Harappans, and three mostly about Buddhism, the remaining seven are mostly about Hinduism and Hindus (as these terms are now understood)? I wondered: What lay behind his anxiety about my apparently inadequate coverage of Hinduism?

Namit Arora on Indians: The Avid–BLF Lecture

I spoke about Indians in an online lecture, my first one based on the new book (1:08 hr). Hosted by Avid Learning and supported by the Bangalore Lit Fest, I delivered it on 25 Feb to listeners on Zoom (occasional choppy audio). If history or Indians interest you, check it out.

INDIANS: A Book Trailer

My sales pitch for Indians, or as they euphemistically say in the industry, a ‘book trailer’. :) 

A shorter book trailer with just music (and on-screen text) is here. To learn more about the book, click here.

Indians: A Brief History of a Civilization | Namit Arora

Dear friends, I’m delighted to announce that my third book, Indians: A Brief History of a Civilization, was launched today by Penguin Random House India. Among other things, it’s a story of the defining cultural ideas, megatrends, and conflicts of Indian civilization. It’s a history of migration, conflict, mixing and cooperation. It’s also a book of journeys and discovering what it means to be Indian. Click HERE for more details.  🎉🥁🍹

This book, over its multiyear gestation, has gained from influences too numerous to mention. Among these are my life partner, my editor, family and friends, and many scholars whose efforts I’ve leaned on. I’m grateful to them and to others who gave advice, opened doors, offered contacts, aided us on our travels, or shared their stories and time. I’m indebted to friends who read early versions. Finally, the six endorsements on the cover come from writers and scholars I admire greatly, who gave me their time and trust—what can be nicer? For their generosity I’m grateful.

The book’s release got delayed by the pandemic, but here it is—and open for preorders on Amazon.in (it’ll happen on Amazon.com and other int’l sites in a few weeks; check for links here). The cover shows no Indians, but can you spot the cute stray doggie?

On the Indian Knowledge Systems Calendar from IIT Kharagpur

(This article also appeared in Raiot.)

My alma mater, Indian Institute of Technology (IIT) at Kharagpur, has created a condensed history of Indian knowledge systems in calendar form. Lavishly produced, it is being widely shared and praised on social media. Sadly, it brims with lies, misleading ideas, and fanciful fictions. Rather than educating to inform and delight, it seeks to inflate cultural pride by taking liberties with the truth. Let me explain.

Early India had many solid achievements in advancing knowledge but this calendar’s authors miss loads of them while twisting the rest into convoluted descriptions laced with Sanskrit jargon. For instance, they ignore the Harappans entirely—their fine urban planning, precision weights, hydraulic engineering, the first indoor toilets, and a relatively egalitarian society with no standing armies or temples. Instead, they begin with legendary Vedic sages. It’s as though they can’t acknowledge that the roots of any knowledge system could possibly lie earlier and outside of the holy Vedas. They also repeat the absurd claim that Sanskrit is ‘the root of the entire Indo-Aryan branch in Asia and systems of European languages.’ No, it’s not. Sanskrit is just another branch of the family, like Persian and Greek.

This false claim also reveals their foundational belief that Aryans did not migrate into the Subcontinent, that Vedic people were indigenous to this land and carried Sanskrit westward. There never was any scholarly justification for this belief, which was driven by ignoble motives: the creators of the Vedas have to be ‘made’ primordially indigenous to promote Hindu pride and ‘faith and fatherland’ nationalism—and to render Islam and Christianity ‘invader’ religions. But the fact is that, to the extent that the Rig Veda, Sanskrit, and priestly fire rituals are seen as foundational to Hinduism, Hinduism too is an ‘invader’ religion that arrived with the Aryans from Central Asia.

Talk Less, Work More

On India’s troubled relationship with democratic values. (First published in The Baffler.)

Sometime after midnight on June 25, 1975, over six hundred political leaders, social activists, and trade unionists in India were rudely awakened by knocks on their doors. By dawn, they had been placed behind bars for inciting “internal disturbance.” In parallel, the government shut off electricity to newspaper offices, blocking their next day’s editions.

“The President has proclaimed the Emergency,” Prime Minister Indira Gandhi announced in a surprise broadcast the next morning on All India Radio. “This is nothing to panic about.” The previous night, she had made a bleary-eyed President Fakhruddin Ali Ahmed trigger the Emergency provision in Article 352 of India’s constitution, which allowed her to postpone elections and suspend most fundamental rights, including those to speech, assembly, association, and movement. With the stroke of a pen, Gandhi had effectively dismantled India’s democratic infrastructure, concentrating dictatorial power in herself. Total press censorship was imposed, and foreign journalists who did not toe the line were summarily expelled, including stringers with the Washington Post, the Guardian, and the Daily Telegraph. On June 28, someone snuck a clever obituary into the Bombay edition of The Times of India: “D’Ocracy—D.E.M., beloved husband of T. Ruth, loving father of L.I. Bertie, brother of Faith, Hope, and Justice, expired on 26th June.”

The twenty-one months of Emergency that followed are regarded as the darkest chapter in independent India’s history. For those old enough to remember, the word recalls mass incarcerations without trial, a gagged press and propaganda, slum demolitions, and—most shockingly—the forced sterilizations of millions. Often cited as a cautionary tale in Indian political discourse, it is generally seen as an “exceptional” period from which India recovered admirably well, thanks in large part to the resilience of its democratic institutions and ethos. 

Two new books powerfully challenge this consensus. In India’s First Dictatorship, Christophe Jaffrelot and Pratinav Anil expose the chronic weaknesses in India’s democratic culture prior to the Emergency, revealing the role that other actors—businessmen, the middle class, even trade unionists and some communists—played in enabling Gandhi’s authoritarian rule. In Emergency Chronicles, Gyan Prakash considers how aspects of the modern Indian state, particularly its Constitution, enabled a demagogic takeover. In asking fundamental questions about the relation between state and society in India and exploring its many fault lines, these books cut through the boosterism that generally occludes the “world’s largest democracy.” Rather than viewing the Emergency as an aberration, they present it as a logical outcome of certain social and political tendencies of independent India.

Both books are written with an eye to the present. Since coming to power in 2014, Prime Minster Narendra Modi has presided over a kind of undeclared emergency: rejecting constitutional norms; jailing thousands of peaceful dissidents, journalists, and activists; undermining the press; retracting the last shards of Kashmir’s autonomy. While preserving their democratic veneer, he has weaponized civic institutions including the intelligence agency and police force; the central bank, judiciary, and election commission; and even public universities and the Indian Council of Historical Research. Most strikingly, like Gandhi, Modi has embarked on a series of misguided and needlessly punitive policies—from banning certain currency notes with almost no prior notice to overseeing a militarized Covid-19 lockdown that, lacking planning or preparation, prompted a mass migration on foot. The ease with which he has done this has once again raised questions about what Prakash describes as Indian society’s “troubled relationship with democratic values.” These books allow us to evaluate how today’s gathering liberal-democratic deficits stack up against the mid-1970s. Is India today less, or more, vulnerable to tyranny than it was back then?

Lost and Found in Eden

[The fifth in a series of essays, On Climate Truth and Fiction, in which I raise questions about environmental distress, the human experience, and storytelling. It first appeared on 3 Quarks Daily. The previous part is here.]

High in the Sierra Nevada de Santa Marta of northern Colombia, the Kogi people peaceably live and farm. Having isolated themselves in nearly inaccessible mountain hamlets for five hundred years, the Kogi retain the dubious distinction of being the only intact, pre-Columbian civilization in South America. As such, they are also rare representatives of a sustainable farming way of life that persists until the modern era. Yet, more than four decades ago, even they noticed that their highland climate was changing. The trees and grasses that grew around their mountain redoubt, the numbers and kinds of animals they saw, the sizes of lakes and glaciers, the flows of rivers—everything was changing. The Kogi, who refer to themselves as Elder Brother and understand themselves to be custodians of our planet, felt they must warn the world. So in the late 1980s, they sent an emissary to contact the documentary filmmaker, Alan Ereira of the BBC—one of the few people they’d previously met from the outside world. In the resulting film, From the Heart of the World: The Elder Brother’s Warning (1991), the Kogi Mamos (shamans) issue to us, their Younger Brother, a warning akin to that which the Union of Concerned Scientists would also later issue in their World Scientists’ Warning to Humanity (1997, with a second notice in 2017): that we must take heed of our damage to the planet; that if we don’t stop what we’re doing to it, we will destroy the world we know.

The Kogi warning, however, is couched in the language and metaphor of their own knowledge system. They speak of The Great Mother, who taught them “right from wrong,” and whose teachings still guide their lives. “The Great Mother talked and talked. The Great Mother gave us what we needed to live, and her teaching has not been forgotten right up to this day,” they tell us. It’s Younger Brother who is causing problems. “They are taking out the Mother’s heart. They are digging up the ground and cutting out her liver and her guts. The Mother is being cut to pieces and stripped of everything,” the Mamos scold. “So from today, stop digging in the Earth and stealing the gold. If you go on, the world will end. You are bringing the world to an end.” You can hear in their tone that it doesn’t occur to them that Younger Brother might not listen.

For the Kogi, gold is the blood of the Great Mother; it holds for them a value entirely apart from the way we value gold. For them, the wellbeing of the Great Mother is paramount, and they live now—as they always have—in service to her, our world. During the millennium before Columbus bumped into the Caribbean islands, the ancestors of the Kogi had created the complex, non-literate Tairona civilization, stretching from the Caribbean Sea up into the Sierras. They farmed and fished, their subsistence practices enmeshed within a sophisticated knowledge system that described the complex local ecology. They built cities of stone connected by roadways, marvels of engineering, working in league with what nature provided, rather than against it. Their several settlements were located within the different ecological zones of the diverse landscape, and each played its part in providing for their larger civilization. For example, the coastal Tairona fished and collected salt, which they shared with their sister settlements, from whom they received maize and other goods, each of which was produced within its own optimal ecozone, sustainably supporting a population of three hundred thousand people.

Tales From a Changing World

[The fourth in a series of essays, On Climate Truth and Fiction, in which I raise questions about environmental distress, the human experience, and storytelling. It first appeared on 3 Quarks Daily. The previous part is here.]

Tabea Bakeua lives in Kiribati, a North Pacific atoll nation. Her country is likely to be the first to disappear completely under the rising seas within a few decades. Asked by foreign documentary filmmakers if she “believes” in climate change, Bakeua considers and tells them, “I have seen climate change, the consequences of climate change. But I don’t believe it as a religious person. There’s a thing in the Bible, where they say that god sends this person to tell all the people that there will be no more floods. So I am still believing in that.” She smiles, self-consciously, as she continues. “And the reason why I am still believing in that is because I’m afraid. And I don’t know how to get all my fifty or sixty family members away from here.” She’s still smiling as tears fill her eyes. “That’s why I’m afraid. But I’m putting it behind me because I just don’t know what to do.” She turns, apologetically, to wipe away her tears. [from “The Tropical Paradise Being Swallowed By The Pacific” by Journeyman Pictures]

***

Bakeua’s response is one of many that people now have about anthropogenic climate change. Grasping for magic or miracles in the face of destruction and helplessness, her narrative is common among her hundred thousand fellow citizens. Having remained self-sufficient and sustainably prosperous in their way of life for thousands of years—while contributing effectively zero carbon emissions—they will abruptly be left with nothing as the encroaching tides sweep their lands out from under them, sacrificing their islands for the greater prosperity of other countries. The people of Kiribati played no part in triggering this annihilation and have no way of withstanding it. Nor is the international community throwing them a life raft—through compensatory rights to lands, housing, livelihoods, and autonomy, elsewhere, as would be just—nor even expressing any meaningful concern for their plight.

How did we get to this tragic moment? Whose responsibility is it to help save the people and culture of Kiribati? And what of other, similar cases now arising around the globe? Our politics seem wholly unequipped to deal with our ongoing and anticipated climate-forced migrations; our worldviews and political formulations evolved on a planet different from the one presently emerging. And a planet now reeling with nearly eight billion souls and a collapse of biodiversity also offers less resource flexibility to respond to the looming global challenges. Knowing these limitations, however, doesn’t absolve us of our responsibility to do everything we can to address the crises; rather, we must figure out how to change ourselves to meet the moment.

We know that human beings have always had to contend with changing climates since our species first emerged in Africa, during the Pleistocene ice age. In earlier eras, having more wilderness and fewer people on Earth afforded a great deal of climate resiliency—inhabitants of drowning islands could readily enough find somewhere else to go, for instance. But as so many of us have been feeling distress or denial about the effects of the changing climate, I’ve wondered how our distant ancestors experienced the changes they lived through. Did they change themselves to meet their moment? What stories did they tell?

Of Wanderers and Nomads

(The third in a series of essays, On Climate Truth and Fiction, in which I raise questions about environmental distress, the human experience, and storytelling. It first appeared on 3 Quarks Daily. The previous part is here.)

At the beginning of our story—paraphrased from an origin story remembered by a Cree elder—two figures are walking along the clouds. They’ve been walking long and far. Looking down through the spaces between the clouds, they spy a beautiful, green landscape, rich and inviting. They long to go down to this land, but they don’t know how to get down from the clouds. So the two keep walking. When at last they see a speck on the horizon, in the far distance, they walk toward it. The speck grows, looming larger than they are as they get nearer. When the two look up at it, it looks back down at them—it’s Great Spider.

The people tell Great Spider how much they wish to climb down from the clouds and inhabit the land below, and they ask him for his help. So Great Spider begins to weave a web. He weaves and weaves and weaves, until he’s woven a boat. The two climb into the boat with Great Spider’s web still attached, and Great Spider lowers it down from the clouds. Despite his care, the boat rocks and sways precariously. After a long and harrowing downward journey, the boat ends up stuck in the top of a huge tree.

Now the Earth is almost within reach, but the people don’t know how to get down from the top of the tree. Below them they can see Caribou and other animals walking around. They call out for help, but none of the animals is able to help them. Finally, they ask Fisher-weasel, who scampers up the tree and carries each of them safely to the ground. Once they’re on the ground, Brother Bear befriends the people and teaches them everything they need to know as they make their way in this world.

I’m neither a member nor a student of the Cree people and I don’t know what this story means to a Cree person, nor what was left out or changed in this telling. But I’m struck by the tale as both alien and familiar and brimming with humility and kindness in a way that’s unlike many other ancient myths I’ve heard. Before Europeans invaded the Americas, the Cree people were nomadic foragers living in what today is Canada. They traveled in family bands of around ten people, give or take a few, related by blood or marriage; each of these family bands associated with other bands to form larger, more loosely related sociopolitical groupings. These larger groupings facilitated working and socializing together, while each family band maintained its independence. When larger group decisions were called for, every band had a vote; unresolvable disagreements could also be handled by fissioning the larger group associations, with dissenting bands going their own way—voting with their feet, as anthropologists are fond of saying.

A Story of Fire and Ice

(The second in a series of essays, On Climate Truth and Fiction, in which I raise questions about environmental distress, the human experience, and storytelling. It first appeared on 3 Quarks Daily. The first part is here.)

When I was a kid, I used to wonder about the possibility that the planet could slip back into an ice age. I grew up in the Rocky Mountain region of the northwestern USA, where winters lasted half the year and summers were brief and blustery. I hated being cold all the time. Aware that ice ages result from some sort of natural cycles, I worried what might happen if the planet should head that way again. I tried to imagine how we would construct cities and farms, how we would travel between countries or even build roads, if huge glaciers grew down from the Arctic Circle and smothered our little mountain town.

So I was surprised to learn, much later, that we actually do live in an ice age. In historical memory, we’ve been enjoying a warmish, rather pleasant phase of this ice age, to be sure—an interglacial phase, called the Holocene, that’s persisted for about ten thousand years. But interglacial phases, like our present one, have only been brief respites, as the ice age has cycled between glacial and interglacial phases over the past two million years. Past interglacials never lasted very long and, left to its own geological devices, all signs suggested that this one would end too, to be followed by a much longer glacial phase—the stuff of my nightmares.

In fact, a 2016 study indicates that the Holocene interglacial should already be ending. As it was, the weather of the fourteenth through mid-nineteenth centuries was already given to frequent fits and bouts of cold weather extremes. The precise causes for the drop in temperatures are complex, and though it didn’t get cold enough to become a real glacial age, the period is now playfully referred to as the Little Ice Age. During that time, centuries of sporadic, crop-crippling cold led to erratic harvests, reducing grain yields and causing periodic famine, helping to topple Chinese dynasties and destabilize the feudal order of the European Middle Ages. Persistent hunger and poor nutrition amplified the depredations of plague and other diseases across Europe. In England, the Thames regularly froze over. In North America, even the Rio Grande froze up more than once. Peoples across southern North America suffered frequent droughts and malnutrition, especially in the southwest, which remained persistently dry for a span of decades. Some agricultural peoples were forced to return to lives of nomadism. Across the northern latitudes, glaciers extended themselves. The Norse Greenland colony, which had been thriving for centuries, collapsed and was abandoned by around 1500 CE. Early European colonists in North America struggled to survive frequent winters of bitter cold and failed harvests.

Caste and the Delusion of "Merit" in Indian Higher Education

(This essay first appeared in The Caravan, Aug 2020, where it has received many comments. Its full text is also available on Magster.)

The great engineers of medieval India were mainly Shudras. Members of the lowest varna in the caste hierarchy, the Shudras produced a steady supply of architects, builders, stonemasons, bronze sculptors, goldsmiths and other professionals. Sometimes called the Vishwakarma community, these artisans and craftsmen worked in hereditary guilds. They studied structural design, mathematics, material science and the artistic conventions of the day. Commissioned by kings, merchants and Brahmins—who disdained all manual labour themselves—the Shudras, aided by the labour of those considered “untouchable” and outside the varna hierarchy, built all of India’s engineering marvels, including its grand temple towns, magnificent cities such as Vijayanagar and medieval fort-palaces.

Take for instance the town of Khajuraho a thousand years ago, where Shudra artisans, in large workshops, conceived and carved their artwork and taught apprentices amid the sounds of hammers and chisels. Inscriptions show that with rising proficiency, artisans gained new titles. A skilled artisan was called Silpin, who sometimes inscribed his name on his creations, including on panels of erotic art with playful moods and delicate emotions. With higher skill, he became a Vijananin. A few became adept enough to be called Vaidagdhi Visvakarman, masters who went beyond mere technicalities of craft to conceiving large architectural projects and the finer aesthetics of art, winning much respect, social status and economic rewards. The Shudra domination of the engineering profession in India continued well into the colonial era.

By the late-twentieth century, however, things had changed dramatically. In my incoming class of 1985 at the Indian Institute of Technology, Kharagpur—one of five IITs founded between 1951 and 1961 that had become the premier engineering colleges of India—Brahmins were by far the largest caste group. Most of the nine students I shared a hostel wing with were Brahmin, and all belonged to dominant castes. Our faculty and student body were almost entirely upper-caste, representing less than twenty percent of Indians. There were hardly any Shudras, who comprise about half of the country’s population. Moreover, this utterly ahistorical domination of engineering education by the upper castes was now accompanied by their baffling claims of “merit”—implying that they had a higher natural talent and aptitude for engineering work than others. How did this extreme professional transformation come about?

A Collective Madness

What Modi’s victory says about today’s India. (An op-ed published in Himal Southasian, where it has received many comments.)

In Varanasi recently, I took an auto-rickshaw from Godowlia to Assi Ghat. Like everyone else in town, the driver and I began talking politics. The 2019 general election was a week away and Prime Minister Narendra Modi was seeking reelection from Varanasi. The driver was an ardent Modi fan and would hear no criticism of him. He even claimed that demonetisation had punished the corrupt rich. One topic led to another and soon he was loudly praising Nathuram Godse as a patriot — Gandhi deserved no less than a bullet for being a Muslim lover. “You don’t know these people,” he thundered. “Read our history! Only Muslims have killed their own fathers to become kings. Has any Hindu ever done so? Inki jaat hi aisi hai. You too should open your mobile and read on WhatsApp. Kamina Rahul is born of a Muslim and a Christian; Nehru’s grandfather, also Muslim, Mughal. Outsiders all. Modi will teach them!” Fortunately, my destination came before his passion for the topic could escalate further.

I entered Assi Ghat with a numbing sadness. Was this really Kashi, among the oldest continuously inhabited cities of the world, known for its religious pluralism and massive density of gods, creeds and houses of worship, with its long history of largely peaceful coexistence? The Kashi of the Buddha, Adi Shankara, Kabir, Ravidas and Nanak? The Kashi of shehnai maestro Bismillah Khan, who lived in its tangled gullies and regularly played during the aarti in Balaji temple, or of Hindustani vocalist Girija Devi, whose family kept mannats on Muharram? What still remains of its famed Ganga-Jamuna tehzeeb? No, I consoled myself, my auto driver was not the norm in Varanasi, but he did herald certain fundamental changes now sweeping the country.