Category: 3QD
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Venerating the Army: A Pathology of Nationalism
(Cross-posted on 3 Quarks Daily and Raiot)
A cloying veneration of army men is yet another pathology of nationalism that’s more pervasive than ever in India today. Army men are now widely seen as paragons of nobility and patriotism. Whether their deaths are due to freak accidents or border skirmishes, they’re eulogized for “making the supreme sacrifice for the nation”. Politicians routinely signal their patriotism by chanting Bhārat Mātā ki Jai, victory to mother India, and fall over each other for photo ops where they’re seen honoring soldiers, dead or alive.Curiously, this adoration for army men seems most intense in urban middle-class families, including those who don’t want their own kids to join their nation’s army. Instead, they want their kids to prepare for more lucrative professions, pursue office jobs in multinationals, live in gated high-rise apartments, and own nice cars. Or perhaps leave India for greener pastures abroad. A textbook case of hypocrisy?
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On the Politics of Identity
(Cross-posted on 3 Quarks Daily and Raiot.)
The highs and lows of identity politics, and why despising it is no smarter than despising politics itself.
Our identity is a story we tell ourselves everyday. It is a selective story about who we are, what we share with others, why we are different. Each of us, as social beings in a time and place, evolves a personal and social identity that shapes our sense of self, loyalties, and obligations. Our identity includes aspects that are freely chosen, accidental, or thrust upon us by others. -
The Perils of Majoritarianism
(On the ethnic history and politics of Sri Lanka and a review of Samanth Subramanian’s This Divided Island: Stories from the Sri Lankan War. A shorter version appeared in the Times Literary Supplement, 3 April 2015. Below is the original long version—the director’s cut. Cross-posted on 3 Quarks Daily.)
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Few places in the world, of similar size, offer a more bracing human spectacle than the beautiful island of Sri Lanka. It abounds in deep history and cultural diversity, ancient cities and sublime art, ingenuity and human folly, wars and lately, even genocide. It has produced a medley of identities based on language (Sinhala, Tamil, English, many creoles), religion (Buddhism, Hinduism, Islam, Christianity, animism), and geographic origin (Indian, Malaysian, European, Arab, indigenous), alongside divisions of caste and class. Rare for a country its size are the many divergent accounts of itself, fused at the hip with the politics of ethnic identities—a taste of which I got during my month-long travel on the island in early 2014.The Sri Lankan experience has been more traumatic lately, owing to its 26-year civil war that ended with genocide in 2009. The country’s three main ethnic groups—Sinhalese (75 percent), Tamil (18 percent), and Muslim (7 percent)—now live with deep distrust of each other. One way to understand Sri Lankan society and its colossal tragedy is to study the causes and events that led to the civil war. What historical currents preceded it? Did they perhaps make the war inevitable? What was at stake for those who waged it? What has been its human toll and impact on civic life? In his brave and insightful work of journalism, This Divided Island: Stories from the Sri Lankan War, Samanth Subramanian attempts to answer such questions while bearing witness to many of its tragedies.
Category: 3QD, Anthropology & Archaeology, Books & Authors, Culture, History, Justice, Photography, Politics, Religion, Travel -
A Chronicle of the Minutiae
A review of Odysseus Abroad, a novel by Amit Chaudhuri. (Cross-posted on 3 Quarks Daily.)
Ananda Sen, the young Bengali protagonist in Amit Chaudhuri’s sixth novel, Odysseus Abroad, is an aspiring poet, singer of ragas, and seeker of the romantic spark in London, 1985. Raised in Bombay but with ancestral roots in Sylhet, Bangladesh, Ananda has been studying English literature for over two years at a university in London—all details that also describe Chaudhuri’s own past. Ananda’s maternal uncle, Radhesh Majumdar—a character based on Chaudhuri’s own uncle—is in London too, in a Belsize Park bedsit for 24 years. Odysseus Abroad is a portrait of Ananda, Radhesh, and their relationship, rendered through their memories, everyday experiences, and responses to contemporary British culture.Odysseus Abroad is not a traditional novel. It has no plot, no existential crisis, no darkness lurking in any soul; nor does it abound in moral conflicts or messy heartbreaks. In a recent interview, Chaudhuri, professor of contemporary literature at a British university, claimed to have ‘rejected the monumental superstructure of the novel in favour of the everyday rhythms of the day.’ Sadly, in Odysseus Abroad, this feels like the author taking away the cake and not offering any pudding either.
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Delhi: the City of Rape?
(Cross-posted on 3 Quarks Daily, where it has received many comments.)
On how caste patriarchy in urban India hijacks and distorts the reality of gender violence.
Delhi now lives in infamy as India’s ‘rape capital’. In December 2012, the gruesome and fatal gang rape of a young woman, named Nirbhaya (‘fearless’) by the media, unleashed intense media and public outrage across India. Angry middle-class men and women, breaking some of their taboos and silences around sexual crimes, marched in Delhi shouting ‘Death to Rapists!’ The parliament scrambled to enact tough new anti-rape laws. -
A Place Called Home
(Cross-posted on 3 Quarks Daily, where it has received many comments.)
Former changing rooms in the Birla Industries Club‘No man ever steps in the same river twice,’ wrote Heraclitus, the ancient Greek philosopher, ‘for it’s not the same river and he’s not the same man.’ One could also say this about ‘home’, making it less an enduring place, more a state of mind. Or as Basho, the haiku master, put it, ‘Every day is a journey, and the journey itself is home.’ Still, in an age of physical migration like ours, one of the most bittersweet experiences in a migrant’s life is revisiting, after a long gap, the hometown where he came of age. More so perhaps if, while he was away, his neighborhood turned to ruin, crumbling and overrun with weeds, as happened in my case.
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The Rationalist and the Romantic
On Arundhati Roy’s introduction to Dr. BR Ambedkar’s Annihilation of Caste. (Cross-posted on 3 Quarks Daily.)
A few weeks ago, the Indian publishing house Navayana released an annotated, “critical edition” of Dr. BR Ambedkar’s classic, Annihilation of Caste (AoC). Written in 1936, AoC was meant to be the keynote address at a conference but was never delivered. Unsettled by the scathing text of the speech and faced by Ambedkar’s refusal to water it down, the caste Hindu organizers of the conference had withdrawn their invitation to speak. Ambedkar, an “untouchable”, later self-published AoC and two expanded editions, which included MK Gandhi’s response to it and his own rejoinder.AoC, as S. Anand points out in his editor’s note, happens to be “one of the most obscure as well as one of the most widely read books in India.” The Navayana edition of AoC carries a 164-page introduction by Arundhati Roy, The Doctor and the Saint (read an excerpt). The publisher’s apparent strategy was to harness Roy to raise AoC’s readership among savarna (or caste Hindu) elites to whom it was in fact addressed, but who have largely ignored it for over seven decades, even as countless editions of it in many languages have deeply inspired and empowered generations of Dalits.
