Category: Anthropology & Archaeology
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Stories of Wealth and Distribution
[The thirteenth in a series of essays, On Climate Truth and Fiction, in which I raise questions about environmental distress, the human experience, and storytelling. It first appeared on 3 Quarks Daily. The previous part is here.]
In the world of Star Trek, no one ever goes hungry or lacks access to healthcare. No one wants for housing, education, social inclusion or any other basic need. In fact, no citizen of the United Federation of Planets is ever seen to pay for everyday goods or services, only for gambling or special entertainments. The Federation suffers no scarcity of any kind. All waste is presumably fed into the replicators and turned into fresh food or new clothes or whatever is needed. Yet despite ample social safety nets, there’s no end to internecine politicking, human foibles and failures, corruption and vanity, charisma and venality. The world of Star Trek appeals so widely, I think, because it presents us with something colorfully short of a utopia, a flawed human attempt toward a just, caring, and individually enabling social order. It imagines a society based on a shared set of human values—fairness, cooperation, political and economic egalitarianism—where basic human needs are equitably answered so that no one has to compete for basic subsistence and wellbeing. As the venerable Captain Picard has put it, “We’ve overcome hunger and greed, and we’re no longer interested in the accumulation of things.” Some Libertarian Trekkies have been scandalized to realize that Star Trek actually depicts a post-capitalist vision of society.But Star Trek’s world is premised upon the existence of a cheap, concentrated, and non-polluting source of effectively infinite energy. Obviously, no such energy source has ever been discovered (solar-paneled dreamscapes notwithstanding). And the replicator, which eliminates both material waste and scarcity, is a magical technology. The Star Trek vision is also a picture of human chauvinism and hubris, presuming H. Sapiens as the only relevant form of Earthly life. So it falls short of a vivid and plausible imagining of an ecologically sustainable, technologically advanced, and egalitarian human civilization.
Category: 3QD, Anthropology & Archaeology, Books & Authors, Economics, Environment, History, Justice -
Musings on the Anthropocene
[The twelfth in a series of essays, On Climate Truth and Fiction, in which I raise questions about environmental distress, the human experience, and storytelling. It first appeared on 3 Quarks Daily. The previous part is here.]
In the late 1960s and early 70s, Pocatello, Idaho, was one of the fastest growing towns in the United States. It was, and still is, a bland little place in the arid montane region of the American West. I don’t know why it mushroomed then; it has since stagnated and even shrunk. Nevertheless, the summer I turned four, my family was one among many who moved to reside there. Our little red brick house, still unfinished on the day we moved in, was the last house at the end of a newly laid street, still half-empty of houses. Our street stretched like a solitary finger into a kind of wilderness, an austere, high-desert landscape that surrounded our foundling residential colony. From my vantage as a child, preoccupied with the flowers, spiders, and thistles that stuck to my socks, I would see this place transformed.Little did I know that this landscape was, in fact, already overgrazed and degraded, that some of the plants, which so quickly became familiars—like the Russian Thistle, aka tumbleweed—were actually invasive species. Despite that, it thrived. The undulating hillsides were coarsely matted with hard grasses and sedges, sagebrush, gnarled juniper, all hues of dusty green and wood. Here and there, yellow flares of prickly pear blossoms. Blood red Indian paintbrush splashed across the pale dirt. A sprinkling of white sego lilies.
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Of Gods and Men and Human Destiny
[The eleventh in a series of essays, On Climate Truth and Fiction, in which I raise questions about environmental distress, the human experience, and storytelling. It first appeared on 3 Quarks Daily. The previous part is here.]
In the beginning, the god of the Biblical creation myths makes the Earth and sky. Over the next several days, he makes the sun, moon, and stars, grasses and fruit trees, most of the animals, and rain. Then, scooping up a bit of fresh mud, he molds a being who looks much like himself, a man, and into this homunculus he breathes life. As a dwelling place for this newborn Adam, he plants a lavishly abundant garden, filling it with beautiful and delicious plants. The creator tells Adam, “Of every tree of the garden thou mayest freely eat. But of the tree of the knowledge of good and evil, thou shalt not eat of it, for in the day that thou eatest thereof thou shalt surely die.” Then, realizing that Adam might feel lonely, the deity gives him cattle, fowl, and all the “beasts of the field.” Yet none of these quite seems a suitable companion, so from one of Adam’s ribs, god fashions a woman.Quite pleased with his handiwork, the divinity instructs his new humans on how to live. He tells them they must increase their population. They must also replenish the Earth, and in doing so, subdue it and exercise dominion over all its living things. The almighty then leaves the newlyweds alone to get on with their business of eating, procreating, replenishing, and dominating, which they apparently take to just fine. Indeed, neither of the pair has any memorable comment on their situation, until the day Serpent piques Eve’s curiosity, telling her that if she and Adam were to eat from the one forbidden tree, rather than die, “your eyes shall be opened, and ye shall be as gods, knowing good and evil.” Now Eve takes new notice of this tree, understanding that it could make her “wise.” Enticed, she picks a fruit and munches it. Whatever she discovers then—new knowledge or wisdom or just fine flavor—is simply too good not to share with her husband and, despite their creator’s clear injunction to him, Adam follows his wife’s lead. Yet soon the hapless couple realize that this new state they find themselves in—their eyes having been opened—is indeed problematic. They seem to have transgressed some cosmic order and find themselves possessed now of a discomfiting self-awareness, of moral judgments and political motives, just like the god who made them—and distinctly unlike the beasts they lived among.
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Sex and the City in Medieval India
(This essay first appeared in The Globalist)
What explains the disappearance of erotic sculptures from Hindu temples in India?
Among the most captivating and enigmatic features of medieval Indian art is the explicit erotica on the walls of temples like the UNESCO world heritage complex at Khajuraho. However, modern Indian temples have no trace of it. In fact, most Indians today are so prudish that they feel scandalized by this imagery from their past. So what motivated it back then. And why did it disappear so completely? -
Namit Arora interviewed by the Asian Review of Books
In which Nicholas Gordon, host of the Asian Review of Books podcast, interviews me about ‘Indians’ (~40 minutes).
“We can sometimes forget that “India”—or the idea of a single unified entity—is not a very old concept. Indian history is complicated and convoluted: different societies, polities and cultures rise and fall, ebb and flow, as the political makeup of South Asia changes. Namit Arora, author of Indians: A Brief History of a Civilization, details some of these changing cultures. From the early Harappans, to the Buddhist centers of Nagarjunakonda and Nalanda, and ending at Varanasi, Arora takes his readers on a journey through South Asia’s rich and diverse history. In this interview, Namit and I talk about the many different cultures featured in his book Indians. We share the stories of some of India’s illustrious foreign visitors, and what it was like for Namit to research these lost histories.”
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On Progress as Human Destiny
[The tenth in a series of essays, On Climate Truth and Fiction, in which I raise questions about environmental distress, the human experience, and storytelling. It first appeared on 3 Quarks Daily. The previous part is here.]
On February 18, 2021, NASA landed Perseverance rover on the surface of Mars. Perseverance is the latest of some twenty probes that NASA has sent to bring back detailed information about our neighboring planet, beginning with the Mariner spacecraft fly-by in 1965, which took the first closeup photograph. Though blurry by today’s standards, those grainy images helped ignite widespread wonder and fantasy about space exploration, not long before Star Trek also debuted on television. By the 1970s, science-fiction storytelling was moving from the margins of pop-culture into the mainstream in film and television—and so followed generations of kids, like myself, who grew up expecting off-world adventurism and alien encounters almost as much as we anticipated the invention of video-phones and pocket computers and household robots, as our conceptual bounds for the human story were pushed ever farther outward.And so much of our expectation has come true. Smartphones and Zoom calls and Roombas are just the most mundane examples of how our techno-fantasized future has manifested in daily life. There’s promise of even more to come, as cultural forces continuously work to realize not only our imagined technotopia of flying cars and jetpacks, but even to seek out those elusive alien encounters. Perseverance rover is, in fact, a robotic astrobiologist: its purpose on Mars is to seek out direct signs of alien life—microbial fossils, if not living microbes themselves. But even should the Martians disappoint us by their absence, information gathered by Perseverance is still intended to help us make that next “giant leap for mankind”: human colonization of Mars. What was until quite recently still generally regarded an outlandish notion seems now widely accepted as the obvious next chapter in our human Manifest Destiny. Indeed, the more we know about the unsuitability of that cold, airless, radiation-beleaguered rock, the more we seem inspired to conquer it.
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Namit Arora featured on Cyrus Says
I’m the sort who dreads even the thought of appearing on live broadcasts with AMA style audience Qs, but I quite enjoyed my conversation on Indians with Cyrus Broacha, the smart, funny, inimitable host of the podcast Cyrus Says. Do listen! (Apple, Google, Spotify, Adori, etc.)
Category: Anthropology & Archaeology, Books & Authors, Culture, History, Humor, Politics, Religion, Travel, Video -
INDIANS: A Book Trailer
My sales pitch for Indians, or as they euphemistically say in the industry, a ‘book trailer’. 🙂
A shorter book trailer with just music (and on-screen text) is here. To learn more about the book, click here.
Category: Anthropology & Archaeology, Art & Cinema, Biography, Books & Authors, Culture, Economics, Environment, History, Justice, Philosophy, Photography, Politics, Religion, Science, Travel, Video -
Tales From a Changing World
[The fourth in a series of essays, On Climate Truth and Fiction, in which I raise questions about environmental distress, the human experience, and storytelling. It first appeared on 3 Quarks Daily. The previous part is here.]
Tabea Bakeua lives in Kiribati, a North Pacific atoll nation. Her country is likely to be the first to disappear completely under the rising seas within a few decades. Asked by foreign documentary filmmakers if she “believes” in climate change, Bakeua considers and tells them, “I have seen climate change, the consequences of climate change. But I don’t believe it as a religious person. There’s a thing in the Bible, where they say that god sends this person to tell all the people that there will be no more floods. So I am still believing in that.” She smiles, self-consciously, as she continues. “And the reason why I am still believing in that is because I’m afraid. And I don’t know how to get all my fifty or sixty family members away from here.” She’s still smiling as tears fill her eyes. “That’s why I’m afraid. But I’m putting it behind me because I just don’t know what to do.” She turns, apologetically, to wipe away her tears. [from “The Tropical Paradise Being Swallowed By The Pacific” by Journeyman Pictures]***
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Of Wanderers and Nomads
(The third in a series of essays, On Climate Truth and Fiction, in which I raise questions about environmental distress, the human experience, and storytelling. It first appeared on 3 Quarks Daily. The previous part is here.)
At the beginning of our story—paraphrased from an origin story remembered by a Cree elder—two figures are walking along the clouds. They’ve been walking long and far. Looking down through the spaces between the clouds, they spy a beautiful, green landscape, rich and inviting. They long to go down to this land, but they don’t know how to get down from the clouds. So the two keep walking. When at last they see a speck on the horizon, in the far distance, they walk toward it. The speck grows, looming larger than they are as they get nearer. When the two look up at it, it looks back down at them—it’s Great Spider.The people tell Great Spider how much they wish to climb down from the clouds and inhabit the land below, and they ask him for his help. So Great Spider begins to weave a web. He weaves and weaves and weaves, until he’s woven a boat. The two climb into the boat with Great Spider’s web still attached, and Great Spider lowers it down from the clouds. Despite his care, the boat rocks and sways precariously. After a long and harrowing downward journey, the boat ends up stuck in the top of a huge tree.
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A Story of Fire and Ice
(The second in a series of essays, On Climate Truth and Fiction, in which I raise questions about environmental distress, the human experience, and storytelling. It first appeared on 3 Quarks Daily. The first part is here.)
When I was a kid, I used to wonder about the possibility that the planet could slip back into an ice age. I grew up in the Rocky Mountain region of the northwestern USA, where winters lasted half the year and summers were brief and blustery. I hated being cold all the time. Aware that ice ages result from some sort of natural cycles, I worried what might happen if the planet should head that way again. I tried to imagine how we would construct cities and farms, how we would travel between countries or even build roads, if huge glaciers grew down from the Arctic Circle and smothered our little mountain town.So I was surprised to learn, much later, that we actually do live in an ice age. In historical memory, we’ve been enjoying a warmish, rather pleasant phase of this ice age, to be sure—an interglacial phase, called the Holocene, that’s persisted for about ten thousand years. But interglacial phases, like our present one, have only been brief respites, as the ice age has cycled between glacial and interglacial phases over the past two million years. Past interglacials never lasted very long and, left to its own geological devices, all signs suggested that this one would end too, to be followed by a much longer glacial phase—the stuff of my nightmares.
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Please Vote for Me
Here is a fascinating documentary film from China. Among other things, it reveals how democracy works in real life and the sort of political animals we tend to become under it, age notwithstanding. Below is the abridged version (34 mins) of the full-length version (52 mins, 2007).
‘What kind of thing is “Democracy”?’
‘Born into an authoritarian state that professes to value the greater good over individual expression, many Chinese children have little familiarity with Western ideals of democracy. Nevertheless, they prove themselves quick studies in Please Vote For Me, which chronicles China’s first ever modern classroom election, held among third-graders in the city of Wuhan. After the students learn the basic tenets of democracy, a campaign for the position of class monitor swiftly descends into an all too familiar jumble of campaign promises, back-room deals and dirty tricks. Funny, touching and full of small surprises, the Chinese director Weijun Chen’s documentary is a wry look at the democratic process and all its chaotic, imperfect promise.’
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Beyond Man and Woman: The Life of a Hijra
On being transgender in India and glimpses from The Truth About Me, a powerful memoir by A. Revathi, which aims to introduce readers ‘to the lives of hijras, their distinct culture, and their dreams and desires.’ (Cross-posted on 3 Quarks Daily.)
Most Indians encounter hijras at some point in their lives. Hijras are the most visible subset of transgender people in South Asia, usually biological men who identify more closely as being female or feminine. They often appear in groups, and most Indians associate them with singing and dancing, flashy women’s attire and makeup, aggressive begging styles, acts and manners that are like burlesques of femininity, a distinctive hand-clap, and the blessing of newlyweds and newborn males in exchange for gifts.Most modern societies embrace a binary idea of gender. To the biologically salient binary division of humans into male/female, they attach binary social-behavioral norms. They presume two discrete ‘masculine’ and ‘feminine’ identities to which all biological males and females are expected to conform. These two gender identities are imbued with ideal, essential, and distinct social roles and traits. In other words, the binary schema assumes a default alignment between sex, gender, and sexuality. In reality, however, gender identities and sexual orientations are not binary and exist on a spectrum, including for people who identify as transgender—an umbrella term for those whose inner sense of their gender conflicts with the presumed norms for their assigned sex (unlike for cisgender people). Transgender people often feel they’re neither ‘men’ nor ‘women’.
Category: 3QD, Anthropology & Archaeology, Biography, Books & Authors, Culture, History, Justice, Religion -
The Genomic Ancient DNA Revolution
Population genetics is an emerging field that’s shedding new light on ancient human migrations. It complements linguistics and archaeology, which have until now been the primary avenues for understanding prehistory. David Reich, a leading geneticist and a Harvard professor, has taken special interest in the much contested issue of the original homeland of Indo-European (IE) languages and the mixing of populations in India. Watch a video conversation with him on the edge.org page below (also transcribed).
Nothing Reich says will comfort the “out-of-India” theorists, largely a Hindutva brigade of “scholars” who claim that there was no Aryan migration into India; that instead a migration happened from India to Europe; that IE languages originated in the Indian Subcontinent from a proto-Sanskrit; that the people of the Indus Valley Civilization spoke this proto-Sanskrit (never mind that their script remains undeciphered; there’s no consensus on whether it is even a linguistic script); that the Vedas are wholly indigenous in inspiration, etc. It’s amazing how many people on the Internet confidently assert that the Aryan migration theory has been “discredited”.
Of course much of this was/is nationalistic windbaggery, based on wishful thinking and gaps in rival theories, not on any solid evidence from linguistics or archaeology. Population genetics is now producing a clearer picture once and for all. But we’re not there yet, even though Reich’s work has bolstered the Kurgan hypothesis, which puts the IE homeland in the Pontic-Caspian steppe. Watch this field for more definitive revelations in the years ahead.
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The Perils of Majoritarianism
(On the ethnic history and politics of Sri Lanka and a review of Samanth Subramanian’s This Divided Island: Stories from the Sri Lankan War. A shorter version appeared in the Times Literary Supplement, 3 April 2015. Below is the original long version—the director’s cut. Cross-posted on 3 Quarks Daily.)
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Few places in the world, of similar size, offer a more bracing human spectacle than the beautiful island of Sri Lanka. It abounds in deep history and cultural diversity, ancient cities and sublime art, ingenuity and human folly, wars and lately, even genocide. It has produced a medley of identities based on language (Sinhala, Tamil, English, many creoles), religion (Buddhism, Hinduism, Islam, Christianity, animism), and geographic origin (Indian, Malaysian, European, Arab, indigenous), alongside divisions of caste and class. Rare for a country its size are the many divergent accounts of itself, fused at the hip with the politics of ethnic identities—a taste of which I got during my month-long travel on the island in early 2014.The Sri Lankan experience has been more traumatic lately, owing to its 26-year civil war that ended with genocide in 2009. The country’s three main ethnic groups—Sinhalese (75 percent), Tamil (18 percent), and Muslim (7 percent)—now live with deep distrust of each other. One way to understand Sri Lankan society and its colossal tragedy is to study the causes and events that led to the civil war. What historical currents preceded it? Did they perhaps make the war inevitable? What was at stake for those who waged it? What has been its human toll and impact on civic life? In his brave and insightful work of journalism, This Divided Island: Stories from the Sri Lankan War, Samanth Subramanian attempts to answer such questions while bearing witness to many of its tragedies.
Category: 3QD, Anthropology & Archaeology, Books & Authors, Culture, History, Justice, Photography, Politics, Religion, Travel -
Sheena Iyengar on Choice
Sheena Iyengar’s excellent anthropological survey of “choice” across cultures, with special focus on its meaning in the U.S. She “studies how we make choices—and how we feel about the choices we make”, including “both trivial choices (Coke v. Pepsi) and profound ones” (18 mins).
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Of Meenas, Migrants, and Medicine
By Usha Alexander (Also cross-posted on 3 Quarks Daily.)
Two days in south Rajasthan with AMRIT Health Services, a not-for-profit initiative
The Art of the Gonds
I had a pleasant exchange recently with Dr. Michael Yorke, British anthropologist, filmmaker, and Senior Tutor of Ethnographic Film, University College London. In the course of a discussion that began with my Kumbh Mela film, Michael pointed me to the Adivasi Arts Trust, “an organisation that promotes awareness of Indian tribal culture, and
works with the tribes involving them in digital media projects to make
their arts more widely accessible.” AAT works with some of the nearly 400 Adivasi communities that survive in various parts of India.Googling then led me to Michael’s short film on the art of the Gond people of Central India and a workshop in Bhopal where “a group of Pardhan Gond artists worked with Leslie MacKenzie and Tara Douglas to create an animated cartoon of their own folkstory” (parts one, two). Read more about the remarkable Gond Animation Workshop, participating Gond artists, some Gond folktales, and samples of their music and dance. Other folk stories covered include those of the indigenous people of Nagaland and neighboring states.
‘River of Faith’ meets Amazon
Folks, it turns out that River of Faith has done well, amassing 27K views on YouTube in its first 3 weeks [and 75K at the end of 6 weeks]. Which means it has even bested a whole lot of cat videos! Furthermore, I’ve been persuaded to offer it on Amazon.com for those who like DVDs, including institutions. Check out the DVD cover below (sans barcode and DVD logo). This should be up on Amazon in early April and ready to ship within days (I’ll announce when it is). Also, for the first time ever, a magazine introduced me last week as “a documentary filmmaker”. Watch out, you documentary filmmakers! 🙂
Update (25 April, 2013): The DVD on Amazon is now shipping!
Category: Anthropology & Archaeology, Art & Cinema, Culture, Environment, History, Religion, Travel, VideoState of the Species
Charles C. Mann discusses how homo sapiens, from very humble beginnings devoid of language or symbol use, went from anatomically to behaviorally modern humans, becoming thereafter a highly successful species — so successful that it now risks wiping itself out, unless …
Homo sapiens emerged on the planet about 200,000 years ago, researchers believe. From the beginning, our species looked much as it does today. If some of those long-ago people walked by us on the street now, we would think they looked and acted somewhat oddly, but not that they weren’t people. But those anatomically modern humans were not, as anthropologists say, behaviorally modern. Those first people had no language, no clothing, no art, no religion, nothing but the simplest, unspecialized tools. They were little more advanced, technologically speaking, than their predecessors—or, for that matter, modern chimpanzees. (The big exception was fire, but that was first controlled by Homo erectus, one of our ancestors, a million years ago or more.) Our species had so little capacity for innovation that archaeologists have found almost no evidence of cultural or social change during our first 100,000 years of existence. Equally important, for almost all that time these early humans were confined to a single, small area in the hot, dry savanna of East Africa (and possibly a second, still smaller area in southern Africa). But now jump forward 50,000 years. East Africa looks much the same. So do the humans in it—but suddenly they are drawing and carving images, weaving ropes and baskets, shaping and wielding specialized tools, burying the dead in formal ceremonies, and perhaps worshipping supernatural beings. They are wearing clothes—lice-filled clothes, to be sure, but clothes nonetheless. Momentously, they are using language. And they are dramatically increasing their range. Homo sapiens is exploding across the planet.
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